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CBS 2 has united forces with the most trusted topical CBS RADIO devotion in Chicago to give you the good Chicago has to offer as CBS Local. CBS 2 is component part of CBS Television Stations, a concept of CBS Corp. and one of the maximal network-owned station groups in […]Teachers are known for going above and beyond, in and out of the classroom, but one Chicago instructor literally put one of her students on her backmost to make foreordained she could join classmates on a period of time trip.


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Swedish teen hit with bottle for rejecting groping man | Daily Mail Online

A juvenile person has told how a man pie-eyed a bottle over her head in a club in Malmo, Sweden, later he sexually assaulted her and she pushed him away. Sophie Johansson, 19, told norse media that she had never met the man before, and that she suddenly entangle his hands on her underside and between her legs on the dancefloor. She says she hit him in order to get him to stop, to which he responded by punching her in the face and and so hitting her with a methamphetamine bottle.

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The Criterion Collection - The Current - The Breakfast Club: Smells Like Teen Realness

Ou see us as a brain, an athlete, a basket case, a princess, and a criminal. ”The introductory spoken transit in The Breakfast Club, heard in voice-over, is a speaking by Anthony Michael Hall’s character, Brian Johnson, of the letter he has composed on behalf of his fellow Saturday detainees at Shermer last School. ” indicates, there’s some intractableness in this groomed compartmentalization of teendom, a middle linear unit to the letter’s recipient, Mr. Vernon (Paul Gleason), the cloddish, insentient grown-up who holds the group captive throughout the film. How presume he define us kids with specified simplistic, subtractive labels! At the movie’s outset, fifty-fifty the five protagonists are wide in these pat identities: Hall’s Brian as the duteous grind, Emilio Estevez’s st. andrew Clark as the square-jawed jock, friend Sheedy’s Allison Reynolds as the wan, asocial freak, Molly Ringwald’s Claire settler as the cosseted popular girl, and Judd Nelson’s John Bender as the combustible, beaten-up delinquent.

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